Jawbreakers is the title that built Richard Meyer’s (aka Ya Boi Zack) independent career in comics. However, Jawbreakers Forever takes a developed storyline and delivers a confusing narrative. While the art is its saving grace, few moments feel earned, and the overall coherency is lacking.
Meyer does little to make Jawbreakers Forever work as a self-contained story. The introduction is confusing, and the use of a multiverse ensures that the confusion persists. There is minimal character development, leaving readers unaware of who the characters are or why they should care about them. Additionally, the lack of exposition fails to immerse readers in the world of Jawbreakers. As a result, the story might satisfy fans familiar with previous Jawbreakers books, but less seasoned readers are left to contend with a disjointed and messy script.
The backup story, Salt and Sugar, co-written by Chuck Dixon and Meyer, offers a more enjoyable experience. This tale, centered on a humorous duo robbing a bank, is much more coherent and entertaining.
The art by Aaron Alfeche, colored by J. Brown, outshines the writing. The layouts are well-executed, and the clean, detailed style is visually appealing. Eric Weathers enhances the experience with skillful lettering. Despite a few impressive full-page and two-page spreads, these moments do little to elevate the story’s overall impact. Narwhal’s unique style brings energy to the Salt and Sugar backup story, blending seamlessly with its absurd premise.
Jawbreakers Forever ultimately disappoints with its disjointed and messy storytelling. This is especially unfortunate given the fantastic art and intriguing character designs. The backup story stands out as a more coherent and structured piece, with Narwhal’s abstract art complementing its quirky plot.